Photography and Photographers
Frame By Frame
Photography is the art of freezing time. It’s about seeing the light, framing the chaos, and telling a complete story in a single frame.
Whether you shoot film or digital, street or studio, this is where we focus on the image.
Have a portfolio to share, a technique to teach or some gear you’d like to write about? Get in focus and submit your work.
Photographer William Josephs Radford reviews his own catalogue as a hostile critic would, dissecting the provocations, the try-hard concepts, and the grief that runs underneath it all.
Fine-art photographer Madhur Dhingra on spirituality, consciousness, and the search that took him through Himalayan monasteries from Ladakh to the ghats of Varanasi.
Chicago photographer Marianne Drenthe went from ICU nurse to award-winning family photographer to iPhone artist with a flea market microscope lens. A deeply personal essay on creativity, loss, and finding your way back.
Canadian youth-led non-profit World in Focus announces their 2026 Creative Art Contest. Open internationally to youth ages 10-18 for writing and visual arts. Enter by April 4th, 2026.
Photographer Marc Wayne Schechtel explores the art of Urbex and Lost Place photography. Learn how to navigate low light, read visual noise, and capture portraits in abandoned ruins.
Wyoming landscape artist and photographer Tad Anderson uses his camera to document the changing climate and fight to protect the public lands of the American West.
Surf photographer Michael Allen shares his approach to capturing the ocean's energy. Learn how he manages instability, works with natural light, and finds "flow" while swimming inside the break.
Recently, I spotted AlinderGallery.com on a list of expiring domain names. Seeing a “Gallery” URL always grabs my attention, so I did some digging.
What I found wasn't just a local art shop. It was a window into photography history.
We take countless photos, but passport, ID, and visa photos represent us for years. Many people want to look like themselves and actually like these official photos. This article shows how professional portrait techniques—like lighting, framing, and expression - help you create an official photo that truly captures you.
If you love travel and creativity, you’ve probably heard the idea that we should think less like tourists and more like photographers when exploring a new place. Look for interesting light, notice small details, slow down, frame, compose. That mindset can turn any trip into a personal creative project. But there’s another side to that story—one we don’t talk about as often. What if, for once, you don’t want to be the one behind the camera? What if you simply want to enjoy the city with both hands free, without constantly thinking about angles and exposure? Sometimes the desire to be fully present outweighs the desire to document every moment yourself.
At 100cameras, we partner with youth around the world to help them process their experiences and share their stories through photography and creative expression. Many young people don’t have safe, meaningful ways to talk about what they’re feeling - but when they’re given a camera and guided through our storytelling curriculum, something shifts. They begin to understand their emotions, build confidence, and see their own lives with clarity and purpose. Their photographs become a powerful bridge between their inner world and the communities they belong to.
We’ve all done it. You arrive at a famous landmark—the Eiffel Tower, the Grand Canyon, Niagra Falls, the Colosseum—and you instinctively reach for your phone. You snap the picture that proves you were there.
There is nothing wrong with that. We all want the memory.
But I’ve learned that the "proof of life" photo is rarely the one that ends up on my wall. The photos that stick with us aren't the ones that show what a place looks like; they are the ones that show what a place feels like.
I have been going over a ton of old 35mm slides. And I found many of them were just boring- even Kodachrome. Most were flat and had blown out skies and exposure issues. I needed to roll out a creative weapon- Topaz Studio 2. Not only did I find a fresh look to my old film shots, but I also found a new approach to my digital images that’s entirely my own!
Photographer William Josephs Radford on Transparent: six months removing his father from family photographs, pixel by pixel, and what that process revealed about memory, grief, and erasure.